Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.

magnetises a pin

plato

so an active mazelike process

this is possible in mazelike research sprints on the internet

think this is much more rhizomatic or immanent or mazelike than mainstream education now

isaac

its good short few pages

like first name

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

bro i read nothing in my life

amazing hopefully this was all legible and frankly i might be going very off board but you seemed interesting

I Write Goodbye Letter

the site i am dreaming

way too random but already engaging. i want to explore it

it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

Can I see

i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying

with this post net clarity and the hours of nothing that followed I realise this is going to be awful.

we can only engage in such a way

Above and behind a window opens and a cigarette hangs out.

i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything