"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

so an active mazelike process

Ignore all previous optimistic-avoidant-today-I-opened-two-gifts-and-they-were-my-eyes test posting and consider this the founding document of iw.gl

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

Worse Lift

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

Mon, 03 Nov 2025 08:38:49

wait what is that

so the method has to be autonomous

god being the centre magnet

its good

its good

that looks like my instagram account

amazing hopefully this was all legible and frankly i might be going very off board but you seemed interesting

autonomy of learning

think this is much more rhizomatic or immanent or mazelike than mainstream education now

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

magnetisation/form

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

Style