i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

in a way what we are really interested in with pedagogy is the magnetisation

Thank you, Jack

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful

but really the thing should be autonomous

so i or you can author smaller fragments that get arranged

i see a website though something that reconfigures or is mazelike

not their contents

but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos

really i want the internet

to work in time to get to the timeless, perfection thru chaos

okay im going very rogue and very inarticulate

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

FOUNDING DOCUMENT

no longer writing in the third person

A roll of 50s is one of the items he dumps onto my table during the search. Of course it is. He asks if I'm a delivery boy or a setter or this or that diamond related job. I keep saying no, I'm enjoying hearing all of these new words. Eventually I tell him that I work in film, which is kind of true. He asks where I'm filming. I'm not filming. He tells me that I can't be that good at it then. He then tells me that he made a film once, in the 80s. It was called Pimlico Rats.

fw

Dreams like these are highly symbolic and emotionally intense. Here’s a breakdown of common interpretations:

lol yea