i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me



The studio designs some piece of media to perpetuate the marketable concept of Real London, while the real London is hollowed out by hollow bankers or whatever. Not pulling on that thread. But the yuppies don't mind because they're free to iterate on Real London without any competition from real London because it's too concerned with its slow eradication. And there's nice flats to live in now or whatever. The yuppies can begin to inhabit their Real London.

not so on: yvf(wthw)

i am quite confused, not quite getting the idea of it

i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue

but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos

is everyoneback on tumblr now

I'm sat out the front of a cafe in Hatton Garden. I've just eaten a brie and bacon panini, and I'm rolling a cigarette. Feeling very London. An old man comes up to me and asks for a roll-up. I oblige.

yeah

send your tumblr

you cannot feed someone truth

i dont understand magnetisation

lol

yeah

think this is much more rhizomatic or immanent or mazelike than mainstream education now

Dreams like these are highly symbolic and emotionally intense. Here’s a breakdown of common interpretations:

its good

Maybe, Jack, I'm doing this because I'm English?

We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river. I've found the girl, or she's found me, and we're smoking a cigarette while we watch the dim silhouettes of the French Raj and his fireworks bearer down on the bank. They're fucking around with the box. I ask her what people do with fireworks for so long before they're ready to light. She doesn't know.

its performative

ahnaf abrar

13, H, grate