He was a proper old-fashioned London geezer (cringe word, hate it, can't think of a better one, worst of all it's the correct word), kind of East Endy, kind of Real London, the kind you don't really meet but if you do it always feels like an uncanny immersive theatre experience. They're anachronistic. They only belong in the London collectively imagined by people who don't spend any time in it.
division of reality is straying away from it
no longer writing in the third person
The bird dives back into the tree. It shakes, some leaves fall.
as in
Thu, 06 Nov 2025 23:18:46
like people can read 100 books and still not have the fire within them
Wed, 11 Nov 2025 21:12:41
so the method has to be autonomous
Thu, 06 Nov 2025 23:18:46
thank you
i see a website though something that reconfigures or is mazelike
was it worth it
i really havent
nope. i only remember the leaves bristling behind the window during chemistry class
wow, you are the first stranger to write a textwall to me
there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.
something religious, a kind of complex,
it will get lighter
, something washing, cleansing, revealing, etc.i want to do that too
so an active mazelike process
i am quite illiterate on producing technology
nope. i only remember the leaves bristling behind the window during chemistry class
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
feel you