theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
no longer writing in the third person
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."
ahnaf is it worth reading all those books
the site i am dreaming
Windrush Art Kid Oligarch
Ignore all previous optimistic-avoidant-today-I-opened-two-gifts-and-they-were-my-eyes test posting and consider this the founding document of iw.gl
something for the future. something to look at when this is more. I've been thinking about... whatever
the only things i have read are just excerpts and 1 dialogue by plato fully and mcluhan's medium is the massage but it cannot be considered a book
you have a beautiful account btw
The bird dives back into the tree. It shakes, some leaves fall.
so at the end
so an active mazelike process
I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.
what do you think my name is
think this is much more rhizomatic or immanent or mazelike than mainstream education now
isaac
Like the tide, it comes in and it washes over the beach. It's beautiful. But like the tide it goes out, sometimes it goes out further than it ever has, it recedes back across the beach and further out beyond the horizon. The bare seabed opens up in front of you and all you can do is look at it.
in a way what we are really interested in with pedagogy is the magnetisation
so the method has to be autonomous
the textwall is as much for me as it is for you