that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.
something for the future. something to look at when this is more. I've been thinking about... whatever
its performative
in a post. I want to be remembered
Thu, 06 Nov 2025 23:18:46
i am quite illiterate on producing technology
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.
a lot of what i've been doing has been some imaginary screenshot or recording of his website, something that could be found within it
but i respect your search
"I'm only attracted to you", he replies. "Like, you only."
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
Thank you, Jack
The only real Londoner remaining is old, bitter, kept around for entertainment, defined by tropes from 30+ years ago. They play gangsters in films, or they work in a pie and mash shop, or they go on Business Insider's YouTube channel to tell you about their crimes. And they somehow still find the time to spend all day hanging about cafes and pubs for you to bump into, to remind you of Real London.
it holds me to something (you, now). I love editing!
⚠️ Live Document Forever ⚠️
The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.
much more tactility