i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything

He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.

all that is to say

abrar?

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

1


i don't really want to be associated with that one for some reason

send your tumblr

no i haven't really read anything

thank you

the point of this was to try and avoid this narcissistic death spiral I'm in by acting anonymously and impulsively. how can that feeling that even Jack can't describe paralyse me if my name isn't next to any of this? the excitement of believing I just need a new process has overcome me and I have cummed out an empty webpage.

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

whats your name?

i was tempted to lie about my name

i see a website though something that reconfigures or is mazelike

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

13, H, grate

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

this is possible in mazelike research sprints on the internet

division of reality is straying away from it

amazing hopefully this was all legible and frankly i might be going very off board but you seemed interesting

magnetisation/form

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine 

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Above and behind a window opens and a cigarette hangs out.

i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying