abrar?
to work in time to get to the timeless, perfection thru chaos
that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.
currently
okay im going very rogue and very inarticulate
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.
Thank you, Jack
so at the end
amazing hopefully this was all legible and frankly i might be going very off board but you seemed interesting
Thu, 06 Nov 2025 23:18:46
I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.
i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me
It's
dusk
in a snowy forest and I'm playing with a fox."No, it'll get cold!"
"Put a tut ahh put a-"
not their contents
mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation
brb i will read and reply sincerely
there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.
something for the future. something to look at when this is more. I've been thinking about... whatever
Above and behind a window opens and a cigarette hangs out.
Thu, 06 Nov 2025 21:22:59
i hope ai fixes this with the cessation of interfaces and walls
Windrush Art Kid Oligarch
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.
think this is much more rhizomatic or immanent or mazelike than mainstream education now
a lot of what i've been doing has been some imaginary screenshot or recording of his website, something that could be found within it