The only real Londoner remaining is old, bitter, kept around for entertainment, defined by tropes from 30+ years ago. They play gangsters in films, or they work in a pie and mash shop, or they go on Business Insider's YouTube channel to tell you about their crimes. And they somehow still find the time to spend all day hanging about cafes and pubs for you to bump into, to remind you of Real London.

think this is much more rhizomatic or immanent or mazelike than mainstream education now

my watchlater reached its limit years ago and now i have to create a playlist for each new topic im interested in but it is incredibly hard to create the taxonomy of knowledge because everything seems to be everything else because at the end it is what you get from it that matters not what is given

Wed, 11 Nov 2025 21:12:41

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

i am quite confused, not quite getting the idea of it



i hope ai fixes this with the cessation of interfaces and walls

wow, you are the first stranger to write a textwall to me

i know a little bit of lacan which probably influences me in a way i cant articulate

currently

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

"I'm only attracted to you", he replies. "Like, you only."

IWGD

division of reality is straying away from it

you have a beautiful account btw

One of the birds shoots out of the tree.

much more tactility

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

but i respect your search


There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

brb i will read and reply sincerely


but really the thing should be autonomous

Worse Lift

FOUNDING DOCUMENT

        13       |
                |
                |
            H   |
                |
                |
. . . .         |
. . . .         |
. . . .         |
. . . .         |
                |

13, H, grate

so at the end