yeah

The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.

Lift Analysis

Mon, 01 Dec 2025 23:38:15

i am quite confused, not quite getting the idea of it

"No, it'll get cold!"
"Put a tut ahh put a-"

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

The studio designs some piece of media to perpetuate the marketable concept of Real London, while the real London is hollowed out by hollow bankers or whatever. Not pulling on that thread. But the yuppies don't mind because they're free to iterate on Real London without any competition from real London because it's too concerned with its slow eradication. And there's nice flats to live in now or whatever. The yuppies can begin to inhabit their Real London.

so i or you can author smaller fragments that get arranged

that looks like my instagram account

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

I know that if I try to make this entry any more than it is I will ruin it.

really i want the internet

its performative

i see a website

yeah

Slug

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine