Ignore all previous optimistic-avoidant-today-I-opened-two-gifts-and-they-were-my-eyes test posting and consider this the founding document of iw.gl

yes

Better Lift

Better Lift

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext


I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

i am quite confused, not quite getting the idea of it


I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

god being the centre magnet

its performative

magnetisation basically means the induction of divine form unto you

"I'm only attracted to you", he replies. "Like, you only."

so magnetisation means the divine spirit acting thru u endowing you with its qualities

isaac newton

division of reality is straying away from it

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

okay im going very rogue and very inarticulate

okay this is interesting because pedagogies we have rn are not proper models

lol

sorry i am texting like a slav

god "possessing" artists "possessing" people