theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

Thu, 04 Dec 2025 11:31:03

Like the tide, it comes in and it washes over the beach. It's beautiful. But like the tide it goes out, sometimes it goes out further than it ever has, it recedes back across the beach and further out beyond the horizon. The bare seabed opens up in front of you and all you can do is look at it.

think this is much more rhizomatic or immanent or mazelike than mainstream education now


ion

which magnetises chains of pins

The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.

thank you

i don't really want to be associated with that one for some reason

not their contents

13, H, grate

hiding from the rain

It Will Get Lighter

i have read not even 1 book

so the method has to be autonomous

It's

dusk

in a snowy forest and I'm playing with a fox.
It bites my wrist but there is only a dull ache.
I feel that it wants to say sorry but can't. I die.


Windrush Art Kid Oligarch

it is hopeful

brb i will read and reply sincerely

we can only engage in such a way

its good short few pages

plato

to work in time to get to the timeless, perfection thru chaos


but i respect your search