Like the tide, it comes in and it washes over the beach. It's beautiful. But like the tide it goes out, sometimes it goes out further than it ever has, it recedes back across the beach and further out beyond the horizon. The bare seabed opens up in front of you and all you can do is look at it.

        13       |
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            H   |
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It Will Get Lighter




Lift Analysis

13, H, grate

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

really i want the internet

i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue

Garden Post-Dusk, Birds Above, In Another Life

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos

there's probably something in that, but I don't feel like thinking about it too much yet.

Above and behind a window opens and a cigarette hangs out.

but really the thing should be autonomous

The bird dives back into the tree. It shakes, some leaves fall.



"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."