so i or you can author smaller fragments that get arranged
okay this is interesting because pedagogies we have rn are not proper models
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
Their voices are saying they haven't and shouldn't fuck but want to so bad, or have fucked and can't again but want to so bad, or something like that. Would this be easier if they were birds? Incel kind of question... I'm not following the conversation, but I'm still listening. He's talking in this slightly begging way. It's a way of talking that asks for pity, like he's already tried appealing to every other one of her sensibilities. Incel kind of observation... Maybe he just talks like that, in some upspeak derivative. Haha unless?
you cannot feed someone truth
i see a website though something that reconfigures or is mazelike
that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.
kind of mythopoesis
Above and behind a window opens and a cigarette hangs out.
i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue
you cannot feed someone language, they have to speak
but really the thing should be autonomous
i see a website
I am below everything.
in a way what we are really interested in with pedagogy is the magnetisation
"I'm only attracted to you", he replies. "Like, you only."
not their contents
Sun, 23 Nov 2025 10:37:17
Thank you, Jack
The bird dives back into the tree. It shakes, some leaves fall.
I wonder if the birds knew I was watching?
much more tactility
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.