Better Lift
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
Windrush Art Kid Oligarch
"I'm only attracted to you", he replies. "Like, you only."
"Put a blanket."
Can I see
currently
It's
dusk
in a snowy forest and I'm playing with a fox.so the method has to be autonomous
brb i will read and reply sincerely
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.
I am below everything.
i really havent
i am quite illiterate on producing technology
Thu, 06 Nov 2025 23:18:46
The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.
yes
that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.
wow, you are the first stranger to write a textwall to me