we want to live the knowledge too live the content

so at the end

much more tactility

so an active mazelike process

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

something for the future. something to look at when this is more. I've been thinking about... whatever

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

It's

dusk

in a snowy forest and I'm playing with a fox.
It bites my wrist but there is only a dull ache.
I feel that it wants to say sorry but can't. I die.

...

Lift Analysis

Windrush Art Kid Oligarch

division of reality is straying away from it

my watchlater reached its limit years ago and now i have to create a playlist for each new topic im interested in but it is incredibly hard to create the taxonomy of knowledge because everything seems to be everything else because at the end it is what you get from it that matters not what is given

Worse Lift

i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying

you know who you are. no more time, not like

1

. way too specific.

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

it holds me to something (you, now). I love editing!

And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.

It Will Get Lighter

kind of mythopoesis