there's probably something in that, but I don't feel like thinking about it too much yet.

Her English is poor but she manages a brief introduction before getting to the point. She asks if she can touch his face. She's already reaching out and gesturing at it. Koreans are way too polite, he's just laughing awkwardly. I put my hand kind of between them and wave it to try and indicate no to her. I'm still in fucking mime mode. I say no, but it's not really to her, or to him, just no, in general. This is all too weird. Dejected, she departs with a comment about having never seen someone like him before.

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

somewhere between instagram and chatgpt

in a post. I want to be remembered

I am below everything.

there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.

i hope ai fixes this with the cessation of interfaces and walls

Garden Post-Dusk, Birds Above, In Another Life

you have a beautiful account btw

we want to live the knowledge too live the content

Wed, 11 Nov 2025 21:12:41

Thank you, Jack

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

i am quite confused, not quite getting the idea of it

i see a website though something that reconfigures or is mazelike

so an active mazelike process

but i respect your search

much more tactility

its performative

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.