god "possessing" artists "possessing" people
idk
And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.
We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river.
I've found the girl, or she's found me, and we're smoking a cigarette while we watch the silhouettes of the French Raj and his fireworks bearer down on the bank.
They're fucking around with the box. I ask her what people do with fireworks for so long before they're ready to light. She doesn't know.
He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.
Thank you, Jack
much more tactility
so at the end
ahnaf is it worth reading all those books
i hadn't considered this pedagogically or as a kind of personal knowledge management system (puke) at all but i suppose it is both of those things
Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.
what do you mean
its good
bro i read nothing in my life
lol yea
there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.
i understand
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