i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying

Mon, 03 Nov 2025 08:27:13

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

a lot of what i've been doing has been some imaginary screenshot or recording of his website, something that could be found within it

i understand

something religious, a kind of complex,

it will get lighter

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

nope. i only remember the leaves bristling behind the window during chemistry class

i hadn't considered this pedagogically or as a kind of personal knowledge management system (puke) at all but i suppose it is both of those things

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

i want to do that too

no i haven't really read anything

that looks like my instagram account

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

was it worth it

like magnets

I wonder if the birds knew I was watching?

its performative