in a way what we are really interested in with pedagogy is the magnetisation
so i or you can author smaller fragments that get arranged
She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.
I wonder if the birds knew I was watching?
The bird dives back into the tree. It shakes, some leaves fall.
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
"No, it'll get cold!"
"Put a tut ahh put a-"
It's
dusk
in a snowy forest and I'm playing with a fox.lol yea
you cannot feed someone truth
so at the end
which magnetises chains of pins
isaac
and the fake qualifier