Above and behind a window opens and a cigarette hangs out.

wow, you are the first stranger to write a textwall to me

its good

Ignore all previous optimistic-avoidant-today-I-opened-two-gifts-and-they-were-my-eyes test posting and consider this the founding document of iw.gl

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

i know a little bit of lacan which probably influences me in a way i cant articulate

        13       |
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            H   |
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there's probably something in that, but I don't feel like thinking about it too much yet.

you have a beautiful account btw

Sun, 23 Nov 2025 10:37:17

i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything


Imprint, memory, impact, representation, impression

Tue, 02 Dec 2025 11:29:50

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

13, H, grate

i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

brb i will read and reply sincerely

One of the birds shoots out of the tree.

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

It Will Get Lighter

"Put a blanket."

The studio designs some piece of media to perpetuate the marketable concept of Real London, while the real London is hollowed out by hollow bankers or whatever. Not pulling on that thread. But the yuppies don't mind because they're free to iterate on Real London without any competition from real London because it's too concerned with its slow eradication. And there's nice flats to live in now or whatever. The yuppies can begin to inhabit their Real London.

okay this is interesting because pedagogies we have rn are not proper models

you cannot feed someone language, they have to speak

division of reality is straying away from it

hello reader,

  1. Lift and confinement – The crowded, immovable lift represents feeling trapped or constrained in real life, either by social expectations, relationships, or internal emotions. The inability to speak in front of others suggests suppressed feelings or fear of judgment.
  2. Unexpected confession – The girl saying “I think I might love you” could symbolize longing for connection or recognition. It may reflect unacknowledged desires, vulnerability, or anxiety about intimacy.
  3. Forest and snow – The transition to a snowy forest signals escape into the subconscious, a place of solitude, reflection, and emotional processing. Snow often represents purity, stillness, or emotional coldness, while dusk points to transition or uncertainty.
  4. The fox – Foxes are traditionally symbols of cunning, intuition, and guidance, but here it’s more ethereal: its bites are gentle yet noticeable, suggesting a confrontation with subtle truths, small regrets, or lessons that must be acknowledged. The unspoken apology indicates things left unresolved or feelings that cannot be expressed.
  5. Death or dissolution – Dying in the dream often doesn’t mean literal death; it represents transformation, the end of a phase, or surrendering control. It can indicate letting go of fear, old habits, or emotional blockages.

There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.


"I'm only attracted to you", he replies. "Like, you only."

The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.

much more tactility