Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.

They're fucking around with the box. I ask her what people do with fireworks for so long before they're ready to light. She doesn't know.

We look out over the river to a block of luxury flats built on the site of some old docks. It would be nice to live right there. Yes.

I've found the girl, or she's found me, and we're smoking a cigarette while we watch the silhouettes of the French Raj and his fireworks bearer down on the bank.

Sun, 23 Nov 2025 10:37:17

so an active mazelike process

i did until you asked which kind of gave it away

and the fake qualifier

its good short few pages

way too random but already engaging. i want to explore it

and the fake qualifier

the only things i have read are just excerpts and 1 dialogue by plato fully and mcluhan's medium is the massage but it cannot be considered a book

i sat down to eat my peasant dinner but i thought it was a song you sent so i didn’t watch it then

i hope ai fixes this with the cessation of interfaces and walls

i really havent

It Will Get Lighter

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river.

wait what is that

        13       |
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            H   |
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. . . .         |
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13, H, grate

its performative