"I'm only attracted to you", he replies. "Like, you only."

but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

The bird dives back into the tree. It shakes, some leaves fall.


...

The slug lives in my bathroom. I only see it in the early hours of the morning, when I'm not quite right.

2 (actually index). two is company

I Write Goodbye Letter

confused - is it the tide or its absense? I still like where I was going with it. anyway, real reader know this site is the note.

I wonder if the birds knew I was watching?

wow, you are the first stranger to write a textwall to me

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

...

Like the tide, it comes in and it washes over the beach. It's beautiful. But like the tide it goes out, sometimes it goes out further than it ever has, it recedes back across the beach and further out beyond the horizon. The bare seabed opens up in front of you and all you can do is look at it.

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

i really havent


Dreams like these are highly symbolic and emotionally intense. Here’s a breakdown of common interpretations: