bro i read nothing in my life
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
i see a website though something that reconfigures or is mazelike
that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.
i am quite confused, not quite getting the idea of it
kind of mythopoesis
brb i will read and reply sincerely
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
this is possible in mazelike research sprints on the internet
you have a beautiful account btw
really i want the internet
i see a website
i don't really want to be associated with that one for some reason
as in
Above and behind a window opens and a cigarette hangs out.
I've found the girl, or she's found me, and we're smoking a cigarette while we watch the silhouettes of the French Raj and his fireworks bearer down on the bank.
He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.
We look out over the river to a block of luxury flats built on the site of some old docks. It would be nice to live right there. Yes.
no longer writing in the third person
There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.
I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.
in a way what we are really interested in with pedagogy is the magnetisation