kind of mythopoesis
brb i will read and reply sincerely
Thank you, Jack
to work in time to get to the timeless, perfection thru chaos
it is hopeful
Mon, 03 Nov 2025 08:38:49
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
autonomy of learning
this is possible in mazelike research sprints on the internet
He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.
After I get away from the old racist failed actor, I go to see my Korean colleague. He's just arrived in London and I want to see how he's handling the party. We'd been invited as fresh meat for some of the older, gayer attendees. We aren't aware of that.
Another Frenchman pushes through the crowd to join him. He's an events organiser who I'd met earlier, and he's holding a large box wrapped in a bin bag. They're the fireworks he'd smuggled in from France the night before. They're Industrial Grade, whatever that means for fireworks.
Can I see
My inability to confront the old racist failed actor is distracting me. I decide not to tell her about it.
so i or you can author smaller fragments that get arranged