propensity within someone

no like which do people call me

its good

magnetises a pin

He was a proper old-fashioned London geezer (cringe word, hate it, can't think of a better one, worst of all it's the correct word), kind of East Endy, kind of Real London, the kind you don't really meet but if you do it always feels like an uncanny immersive theatre experience. They're anachronistic. They only belong in the London collectively imagined by people who don't spend any time in it.

2 (actually index). two is company

I Write Goodbye Letter

is this you as well

i love it here

idk

there's probably something in that, but I don't feel like thinking about it too much yet.

I am below everything.

...

"No, it'll get cold!"
"Put a tut ahh put a-"

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

Wed, 11 Nov 2025 21:12:41

no i haven't really read anything

somewhere between instagram and chatgpt

i hadn't considered this pedagogically or as a kind of personal knowledge management system (puke) at all but i suppose it is both of those things

and so on. not wanting the rhyming / clanging

It's loud and he's gone deaf in one ear, so I don't think he's really hearing anything I'm trying to say. We're both pretty drunk too. It's making for a kind of surreal interactive Business Insider YouTube video of a conversation. He talks, waits for my response, sees my mouth moving but doesn't hear my words, then he imagines something in their place, and replies to that. At least I don't really have to do anything but drink and mime and listen to a lot of bullshit fake gangster talk, being an actor, boxing, the old days, blah blah blah.

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

stalgivc is the greatest poster of all time

        13       |
                |
                |
            H   |
                |
                |
. . . .         |
. . . .         |
. . . .         |
. . . .         |
                |