She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

currently

Style

We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river.

I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.

ahnaf is it worth reading all those books

Windrush Art Kid Oligarch

Better Lift

have you read

yeah people dont get it they assume its ahnaf

i dont understand magnetisation

Above and behind a window opens and a cigarette hangs out.

i understand

i don't really want to be associated with that one for some reason

i want to do that too

yeah

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

Their voices are saying they haven't and shouldn't fuck but want to so bad, or have fucked and can't again but want to so bad, or something like that. Would this be easier if they were birds? Incel kind of question... I'm not following the conversation, but I'm still listening. He's talking in this slightly begging way. It's a way of talking that asks for pity, like he's already tried appealing to every other one of her sensibilities. Incel kind of observation... Maybe he just talks like that, in some upspeak derivative. Haha unless?

we need to be deconstructing our identities