Sun, 02 Nov 2025 22:11:24

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

"Put a blanket."

I wonder if the birds knew I was watching?

Above and behind a window opens and a cigarette hangs out.

mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

2 (actually index). two is company

"I'm only attracted to you", he replies. "Like, you only."

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

in a post. I want to be remembered

13, H, grate

hello reader,

but i respect your search

⚠️ Live Document Forever ⚠️

i am quite confused, not quite getting the idea of it

He was cast as the guy who gets picked up and thrown out of the poker game to set the scene before the main characters arrive. Out of Real London and into real London, a discarded prop, at this party, chatting to me.

it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful

He was a proper old-fashioned London geezer (cringe word, hate it, can't think of a better one, worst of all it's the correct word), kind of East Endy, kind of Real London, the kind you don't really meet but if you do it always feels like an uncanny immersive theatre experience. They're anachronistic. They only belong in the London collectively imagined by people who don't spend any time in it.

        13       |
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            H   |
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There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.

hiding from the rain

The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.