plato

Sun, 23 Nov 2025 10:37:17

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

so i or you can author smaller fragments that get arranged

Lift Analysis

there's probably something in that, but I don't feel like thinking about it too much yet.

Above and behind a window opens and a cigarette hangs out.

kind of mythopoesis

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

After thinking and forgetting and thinking and forgetting

I know that if I try to make this entry any more than it is I will ruin it.

Lift Analysis

2 (actually index). two is company

The slug lives in my bathroom. I only see it in the early hours of the morning, when I'm not quite right.

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

One of the birds shoots out of the tree.

was it worth it

i see a website

and the fake qualifier

confused - is it the tide or its absense? I still like where I was going with it. anyway, real reader know this site is the note.

you cannot feed someone language, they have to speak

ion