As we're stood there I notice a middle-aged woman staring at us across the room. I'm trying to catch her gaze, but its kind of vacant. I guess she sees me looking and considers it to be an invitation. She floats over to us in this strange dazed way, and on the approach I realise she's staring at (through?) my Korean colleague / fresh meat. She's saying wow, wow, wow. She seems genuinely so delighted, so shocked, so elated.

division of reality is straying away from it

"I'm only attracted to you", he replies. "Like, you only."

so the method has to be autonomous

autonomy of learning

all that is to say

i hope ai fixes this with the cessation of interfaces and walls


Mon, 03 Nov 2025 08:38:49

I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

        13       |
                |
                |
            H   |
                |
                |
. . . .         |
. . . .         |
. . . .         |
. . . .         |
                |

in a way what we are really interested in with pedagogy is the magnetisation

i see a website though something that reconfigures or is mazelike

i am quite illiterate on producing technology

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

Mon, 03 Nov 2025 08:27:13

the textwall is as much for me as it is for you

Imprint, memory, impact, representation, impression

not their contents

Above and behind a window opens and a cigarette hangs out.

brb i will read and reply sincerely

but i respect your search

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

it is hopeful

i am quite confused, not quite getting the idea of it


It's

dusk

in a snowy forest and I'm playing with a fox.
It bites my wrist but there is only a dull ache.
I feel that it wants to say sorry but can't. I die.

thank you

a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext

ion

2 (actually index). two is company

sorry i am texting like a slav

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

a lot of what i've been doing has been some imaginary screenshot or recording of his website, something that could be found within it


isaac