a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.
Thank you, Jack
We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river.
Dreams like these are highly symbolic and emotionally intense. Here’s a breakdown of common interpretations:
i did until you asked which kind of gave it away
i dont understand magnetisation
i understand
isaac newton
no i haven't really read anything
sorry i am texting like a slav
this is possible in mazelike research sprints on the internet
its performative
i love it here
god "possessing" artists "possessing" people
magnetises a pin
in a way what we are really interested in with pedagogy is the magnetisation
god being the centre magnet
Sun, 02 Nov 2025 21:54:03