i really havent

propensity within someone

so at the end

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

there's probably something in that, but I don't feel like thinking about it too much yet.

so the method has to be autonomous

And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.

you cannot feed someone language, they have to speak

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like people can read 100 books and still not have the fire within them

isaac

no longer writing in the third person

We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river.

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

i see a website though something that reconfigures or is mazelike

Thu, 06 Nov 2025 21:22:59

no i haven't really read anything

not their contents

its performative

send your tumblr

kind of mythopoesis