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i love to walk around and see things and take photos and go online and look at websites and click on links and take screenshots i love to surf and i love to browse

Better Lift

it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful

I wonder if the birds knew I was watching?

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.


there's probably something in that, but I don't feel like thinking about it too much yet.

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

Worse Lift

        13       |
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            H   |
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. . . .         |
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something for the future. something to look at when this is more. I've been thinking about... whatever

Garden Post-Dusk, Birds Above, In Another Life

Lift Analysis

I am below everything.

but really the thing should be autonomous

this is possible in mazelike research sprints on the internet

Imprint, memory, impact, representation, impression

send link

And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.