ion

i have read not even 1 book

much more tactility

amazing hopefully this was all legible and frankly i might be going very off board but you seemed interesting

okay this is interesting because pedagogies we have rn are not proper models

your feed looks like my tumblr

magnetisation/form

as in

plato

yeah people dont get it they assume its ahnaf

or never left

you cannot feed someone truth

is this you as well

propensity within someone

abrar?

  1. Lift and confinement – The crowded, immovable lift represents feeling trapped or constrained in real life, either by social expectations, relationships, or internal emotions. The inability to speak in front of others suggests suppressed feelings or fear of judgment.
  2. Unexpected confession – The girl saying “I think I might love you” could symbolize longing for connection or recognition. It may reflect unacknowledged desires, vulnerability, or anxiety about intimacy.
  3. Forest and snow – The transition to a snowy forest signals escape into the subconscious, a place of solitude, reflection, and emotional processing. Snow often represents purity, stillness, or emotional coldness, while dusk points to transition or uncertainty.
  4. The fox – Foxes are traditionally symbols of cunning, intuition, and guidance, but here it’s more ethereal: its bites are gentle yet noticeable, suggesting a confrontation with subtle truths, small regrets, or lessons that must be acknowledged. The unspoken apology indicates things left unresolved or feelings that cannot be expressed.
  5. Death or dissolution – Dying in the dream often doesn’t mean literal death; it represents transformation, the end of a phase, or surrendering control. It can indicate letting go of fear, old habits, or emotional blockages.

we need to be deconstructing our identities

in a way what we are really interested in with pedagogy is the magnetisation

They're fucking around with the box. I ask her what people do with fireworks for so long before they're ready to light. She doesn't know.

He went in there with a camera to film it before he moved out of the building. He didn't think anyone would believe the story if he didn't have proof.

ahnaf abrar

no longer writing in the third person

We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river.

so at the end

we want to live the knowledge too live the content