yeah
I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.
"No, it'll get cold!"
"Put a tut ahh put a-"
Above and behind a window opens and a cigarette hangs out.
After thinking and forgetting and thinking and forgetting
There is a pause. She ashes her cigarette. It falls on me. It seems like the birds have stopped too.
Sun, 02 Nov 2025 21:54:03
She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.
"Put a blanket."
"I'm only attracted to you", he replies. "Like, you only."
Windrush Art Kid Oligarch
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.
i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything
something religious, a kind of complex,
it will get lighter
, something washing, cleansing, revealing, etc.its good short few pages
its good
its good
okay im going very rogue and very inarticulate
there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.
i dont understand magnetisation
i understand
that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.
no longer writing in the third person