something for the future. something to look at when this is more. I've been thinking about... whatever
Better Lift
Today I felt like starting
there's probably something in that, but I don't feel like thinking about it too much yet.
She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.
Above and behind a window opens and a cigarette hangs out.
"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."
that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.
plato
magnetises a pin
One of the birds shoots out of the tree.
theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
have you read
Can I see
idk
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
much more tactility