They're fucking around with the box. I ask her what people do with fireworks for so long before they're ready to light. She doesn't know.

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.


a heavy, heavy rain. a clear day.

I created this site

.

One of the birds shoots out of the tree.

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

Garden Post-Dusk, Birds Above, In Another Life

"Put a blanket."
Above and behind a window opens and a cigarette hangs out.

Sun, 02 Nov 2025 21:54:03

Mon, 03 Nov 2025 08:27:13


I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

so an active mazelike process

i hadn't considered this pedagogically or as a kind of personal knowledge management system (puke) at all but i suppose it is both of those things