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It's
dusk
in a snowy forest and I'm playing with a fox.it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful
hiding from the rain
i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me
After thinking and forgetting and thinking and forgetting
Thank you, Jack
We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river.
But seriously, thank you, Jack
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
all that is to say
Thu, 06 Nov 2025 23:18:46
We look out over the river to a block of luxury flats built on the site of some old docks. It would be nice to live right there. Yes.