and so on. not wanting the rhyming / clanging



Style

the textwall is as much for me as it is for you

but really the thing should be autonomous

Above and behind a window opens and a cigarette hangs out.

magnetisation/form

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

hiding from the rain

theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine

The bird dives back into the tree. It shakes, some leaves fall.

you cannot feed someone language, they have to speak

I am below everything.

so i or you can author smaller fragments that get arranged

It's

dusk

in a snowy forest and I'm playing with a fox.
It bites my wrist but there is only a dull ache.
I feel that it wants to say sorry but can't. I die.

i struggle with building a personal technical architecture for storing media, both curation and creation. instead i bookmark everything

i hadn't considered this pedagogically or as a kind of personal knowledge management system (puke) at all but i suppose it is both of those things

i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying

i am quite illiterate on producing technology

okay im going very rogue and very inarticulate

like people can read 100 books and still not have the fire within them

Windrush Art Kid Oligarch

i guess imagine a multimedia obsidian or notion that behaves according to some insane arcane rules that you can't ever really determine

like magnets

i don't really want to be associated with that one for some reason

13, H, grate

its performative