I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.

i got bored though because i knew all of the different arrangements of it. i probably needed to stick at it longer to get it dense enough to feel navigable in a way that was engaging to me

Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.

After thinking and forgetting and thinking and forgetting

Above and behind a window opens and a cigarette hangs out.

It Will Get Lighter

Windrush Art Kid Oligarch

Mon, 03 Nov 2025 08:38:49

Today I felt like starting

Better Lift

is this you as well

i love it here

"Put a blanket."

yes

i did until you asked which kind of gave it away

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

so the method has to be autonomous

yeah

what do you mean

"No, it'll get cold!"
"Put a tut ahh put a-"

there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.