it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful
I'm trying to picture the scene inside, like I was trying to picture the scene in the tree.
hiding from the rain
One of the birds shoots out of the tree.
It's
dusk
in a snowy forest and I'm playing with a fox.
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
Thank you, Jack
no longer writing in the third person
Above and behind a window opens and a cigarette hangs out.