a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
not their contents
we can only engage in such a way
Thank you, Jack
the textwall is as much for me as it is for you
but i respect your search
we want to live the knowledge too live the content
autonomy of learning
i haven't read 100 book s so i'm probably not getting the depth of all of what you're saying
so magnetisation means the divine spirit acting thru u endowing you with its qualities
isaac newton
but really the thing should be autonomous
think this is much more rhizomatic or immanent or mazelike than mainstream education now
to work in time to get to the timeless, perfection thru chaos
The slug lives in my bathroom. I only see it in the early hours of the morning, when I'm not quite right.
yeah
it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful
i really havent
all that is to say
Hours staring at the ceiling, the wall, curling up into a ball. It seems annoyed with the light, it kind of recoils. It will get lighter. I wonder where it goes in the day.
i love it here
so the method has to be autonomous
i see a website though something that reconfigures or is mazelike
thank you
nope. i only remember the leaves bristling behind the window during chemistry class
i guess imagine a multimedia obsidian or notion that behaves according to some insane arcane rules that you can't ever really determine
so an active mazelike process
lol yea
send link
A roll of 50s is one of the items he dumps onto my table during the search. Of course it is. He asks if I'm a delivery boy or a setter or this or that diamond related job. I keep saying no, I'm enjoying hearing all of these new words. Eventually I tell him that I work in film, which is kind of true. He asks where I'm filming. I'm not filming. He tells me that I can't be that good at it then. He then tells me that he made a film once, in the 80s. It was called Pimlico Rats.