way too random but already engaging. i want to explore it
a heavy, heavy rain. a clear day.
I created this site
.so the method has to be autonomous
it exists in my head in some way that i'm trying to get out i lied on my story a little bit because i'm mostly feeling it and thinking about it. feeling something deeply doesn't necessitate any kind of deep relevance or whatever but the thinking is useful
there's probably something in that, but I don't feel like thinking about it too much yet.
you have a beautiful account btw
Sun, 23 Nov 2025 10:37:17
the textwall is as much for me as it is for you
autonomy of learning
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
Thu, 04 Dec 2025 11:31:03
Tue, 02 Dec 2025 11:29:50
in a way what we are really interested in with pedagogy is the magnetisation
i see a website though something that reconfigures or is mazelike
not their contents
mazelike/rhizomatic/immanent/emergent are not antithetical to a transcendent real but its very manifestation
somewhere between instagram and chatgpt
Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after
dusk
, I have nothing to do, I'm watching them, trying to figure it out.kind of mythopoesis
in a post. I want to be remembered
really i want the internet
something religious, a kind of complex,
it will get lighter
, something washing, cleansing, revealing, etc.theres a kind of a cowardice to generative art that i want to avoid though. i want the kind of relationship to this thing that a game designer has to a game engine
but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos
magnetisation/form
The Hatton geezer (fuck off) reminds me of this old failed actor who I'd met at a party a few years ago, another man out of time and out of place. This actor had scored a minor role in Lock, Stock and Two Smoking Barrels and never really let go of it, had gone on to build his whole identity around it. I can't really blame him.