We gather around the start of a causeway down to the Thames. It's a pretty cold night and there's a breeze coming off the river.
Thank you for telling me that I'm failing to see how I'm reproducing the dynamics I'm trying to critique by only describing my Korean colleague / fresh meat and the black girl in relation to others and myself.
They're fucking around with the box. I ask her what people do with fireworks for so long before they're ready to light. She doesn't know.
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Maybe, Jack, I'm doing this because I'm English?
Above and behind a window opens and a cigarette hangs out.
She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.
i really havent
I am below everything.
Thu, 06 Nov 2025 23:18:46
the site i am dreaming
Thu, 04 Dec 2025 11:31:03
And thank you for telling me that the manner in which the narrator consistently fails to act morally is really compelling. Fuck you.
"No, it'll get cold!"
"Put a tut ahh put a-"
i dont understand magnetisation