much more tactility

there's probably something in that, but I don't feel like thinking about it too much yet.

I'm in a crowded lift and a girl I've never met tells me she thinks she might love me.
The lift won't stop at any floor, and I can't talk in front of all these people.


Can I see

the textwall is as much for me as it is for you

Today I felt like starting

The bird dives back into the tree. It shakes, some leaves fall.

this will be about a slug

2 (actually index). two is company

confused - is it the tide or its absense? I still like where I was going with it. anyway, real reader know this site is the note.

the only things i have read are just excerpts and 1 dialogue by plato fully and mcluhan's medium is the massage but it cannot be considered a book

i sat down to eat my peasant dinner but i thought it was a song you sent so i didn’t watch it then


you cannot feed someone language, they have to speak

so i or you can author smaller fragments that get arranged

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

wait what is that

Style

so the method has to be autonomous

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

not so on: yvf(wthw)

IWGD


as in

Imprint, memory, impact, representation, impression