currently

abrar?

I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.

with this post net clarity and the hours of nothing that followed I realise this is going to be awful.

Tue, 02 Dec 2025 11:29:50

One of the birds shoots out of the tree.

Windrush Art Kid Oligarch

"I'm only attracted to you", he replies. "Like, you only."

Thu, 04 Dec 2025 11:31:03

wow, you are the first stranger to write a textwall to me


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i see a website

i am quite illiterate on producing technology

13, H, grate

Garden Post-Dusk, Birds Above, In Another Life

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.

that is unstable and lets me operate in that discovery mode that i can create within and also produce works from.

there is a distinction between western-modern pedagogical systems that's like text-based as in a legal method but there is an idea of "pathshala" or "guru shissho"/ "porompora" i mean how masters relayed knowledge to the student by (oral) transmission often by memorising books. so what was taught was always interactive. knowledge was interactive, you spoke with people rather than read texts.

2 (actually index). two is company