in a way what we are really interested in with pedagogy is the magnetisation


1

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

no longer writing in the third person

Above and behind a window opens and a cigarette hangs out.

Picture

She closes the window. I wasn't paying attention anyway, I'm getting cold, and the birds are nowhere to be seen. I go inside.


Windrush Art Kid Oligarch

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.


Garden Post-Dusk, Birds Above, In Another Life

Sun, 02 Nov 2025 22:11:24


its good

sorry i am texting like a slav

yeah

nope. i only remember the leaves bristling behind the window during chemistry class

this is possible in mazelike research sprints on the internet