i believe search always should be immersive, because whatever is pre planned and non consuming (what you are looking for is total engulfment by the spectre of the real), a joyous intensity, a flow of virtue

no longer writing in the third person

Above and behind a window opens and a cigarette hangs out.

Above and in front two birds are darting in and out of a tree. Sometimes they collide to fight or maybe mate, but I can't really make it out in the low light. It's just after

dusk

, I have nothing to do, I'm watching them, trying to figure it out.

"Anyway, you're you. I mean, look at you!" she says. "You could get with anyone, anyone in the street. Really."

She says something that isn't really right but isn't really wrong. I'm not taking in their words any more, just their voices, trying to get a feel for whatever is going on between them. I'm imagining what it's like for them in this delicate situation, what I would say if it were me. She has that perfect upper-class accent, and she's using whatever upper-class tact that comes with it to navigate this. Style. They can't be together, but their voices are betraying them.


ahnaf is it worth reading all those books

fw

magnetisation basically means the induction of divine form unto you

i dont understand magnetisation

okay im going very rogue and very inarticulate

nope. i only remember the leaves bristling behind the window during chemistry class

i don't really want to be associated with that one for some reason

lol

not so on: yvf(wthw)

i really havent

or never left

Garden Post-Dusk, Birds Above, In Another Life

i want to do that too

ion

like first name

what do you think my name is

its performative