no like which do people call me
a version of this existed for a few months last year but it was static. it was HTML with writing and pictures and videos and sounds. i had this feeling that the code should be as important as the content, that structurally each piece in relation to each other piece shouldn't change, that the mazelike quality should emerge from me intricately arranging paths through it. like classic hypertext
brb i will read and reply sincerely
I am below everything.
god "possessing" artists "possessing" people
in a way what we are really interested in with pedagogy is the magnetisation
I wonder if she knew I was down there listening? I wonder if she would've said something more true, more personal, more raw, more heartfelt, more harsh, more seductive, more freeing, more exposing, more risky, more romantic, more rude, more honest, more anything, if there hadn't been an audience.
a lot of what i've been doing has been some imaginary screenshot or recording of his website, something that could be found within it
Mon, 03 Nov 2025 08:38:49
the point of this was to try and avoid this narcissistic death spiral I'm in by acting anonymously and impulsively. how can that feeling that even Jack can't describe paralyse me if my name isn't next to any of this? the excitement of believing I just need a new process has overcome me and I have cummed out an empty webpage.
way too random but already engaging. i want to explore it
...
Thu, 06 Nov 2025 23:18:46
i am quite illiterate on producing technology
Like the tide, it comes in and it washes over the beach. It's beautiful. But like the tide it goes out, sometimes it goes out further than it ever has, it recedes back across the beach and further out beyond the horizon. The bare seabed opens up in front of you and all you can do is look at it.
but it is in my head and am i compelled to realise it, so it is my silmarillion, my tempelos